OTM Staff Picks, January 30th, 2012

Monday, January 30, 2012 - 04:23 PM

It's Monday and time for a few of our favorite things.

 

 

 

 

 

 

Sarah Abdurrahman: Last week, Stephen Colbert had a two-part interview with Maurice Sendak, the author of Where the Wild Things Are.  Who knew the children’s book author was so hilarious?  I highly recommend watching the interview.  Part one is below, and you can watch part two here.

Bob Garfield: I feel like lifecasting 1Q84 as i work my way through it.

But instead:
 
On radio, we often use a popular song to follow a piece as a sort of coda. When Gov, Rick Perry suspended his campaign, for instance, I have no doubt that somewhere a radio story on the subject was punctuated with "Don't Get Around Much Anymore." The trick is to be wry without being too obvious, an error deemed vulgar. (Obviousness is a dubious standard, if you ask me. At NPR, the threshold seems to be  "Don't use a musical reference if the listener can even possibly recognize it.")  I mention this by way of calling attention the the 2008 documentary "Four Seasons Lodge," about a Catskill summer colony of Holocaust survivors. During the film, we are treated to all sorts of glimpses at kitschy Catskills entertainment -- the least piece of which rolls with the credits. It is the most flaccid and soulless rendition ever performed of a 1978 disco standard, yet within four bars I was welling with tears and hearing the song as I'd never heard it before. It was "I Will Survive."

Brooke Gladstone: Really loved Ralph Fiennes’ Coriolanus this weekend. I’m a bit of a Shakespeare fanatic but generally not thrilled when the plays are translated into modern dress. In this case however, it was done so cleverly and compellingly, the language conveyed with such raw power and poetry that I rate this a  MUSTSEE.

 

Alex Goldman: On the Media hasn’t even been doing staff picks for a year, and here I am recycling one of my previous staff picks for this week. If I had any shame, I might feel bad about it. I’m recommending episode four of the podcast Analyze Phish, in which writer Harris Wittels (Parks and Recreation, the twitter feed Humblebrag) tries to get fellow writer Scott Aukerman (Mr. Show, Between Two Ferns host of the podcast Comedy Bang Bang) to like the band Phish. So why am I recommending it again? Because while the first three episodes were recorded in a studio with Wittels and Aukerman listening to recorded tracks, episode four takes place (at least partially) at an actual Phish concert at Madison Square Garden. Aukerman said on the very first episode that the show would last only as long as he dislikes the band – once he changes his mind, they end the podcast. So, this could be the final episode. You won’t know until you listen.

Katya Rogers: My staff pick is this Ryan Lizza article from last week’s New Yorker.  You know how everyone has a theory about why President Obama hasn’t managed to achieve much of what he set out to do at the beginning of his presidency? Well, this article is a dissection of his first three years almost in the president’s own words. Lizza obtained years worth of memos complete with Obama’s handwritten comments. You really, properly get a sense of the minutiae a president has to reckon on to get stuff done – or not done. This one was on a memo titled “Information on Medical Malpractice Reform Options.” It says “Obviously we shouldn’t do anything that weighs down the overall effort—but if this helps the AMA stay on board, we should explore it.”

PJ Vogt: I just got caught up on the second season of Louie, and wow, is it good. I know that this show got (deservedly) praised a lot, so if you already saw it, great job. But if not, you ought to. It kind of scratches a similar itch to Seinfeld, I guess, in that it’s about a comedian in New York and there’s interspersed bits of very good stand-up material in the episodes. But it’s also so weirder, and truer, and much less sit-comy. Here’s a pretty good scene where Louie has to ask the comedian Dane Cook for help getting tickets to a concert, after having kind-of sort-of accused Cook of stealing his jokes in the past.

 

Jamie York: A Separation is an Iranian film that slowly, subtly, dramatizes the law of unintended consequences when a couple decides to split.  It didn’t have a false note or stray bit of dialogue and it built the kind of suspense that usually requires a hostage to be taken or a dirty bomb to be disarmed. 

 

And I’m sure whole books have been written about how to build a song so that it contains just  the right mix of tension and release.  Save yourself some time and just listen to this instead.  I’ve heard this song hundreds of times but when it came up in a mix last night I was floored yet again.

Tags:

More in:

Leave a Comment

Register for your own account so you can vote on comments, save your favorites, and more. Learn more.
Please stay on topic, be civil, and be brief.
Email addresses are never displayed, but they are required to confirm your comments. Names are displayed with all comments. We reserve the right to edit any comments posted on this site. Please read the Comment Guidelines before posting. By leaving a comment, you agree to New York Public Radio's Privacy Policy and Terms Of Use.

Supported by

Subscribe to Podcast iTunes RSS

Feeds