Elliot Rodger, the 22-year-old who murdered 6 people in Isla Vista, California last week, left an enormous digital footprint - blog comments, YouTube videos and an online manifesto. Bob talks with Forbes staff writer Kashmir Hill about how all that information fed different narratives about what motivated Rodger.
Amid revelations of Elliot Rodger's deep-seated anger and resentment toward women, Internet activists crafted a counter-narrative with the hashtag #YesAllWomen. It has created a catalog of stories about what not all men do, but what most women fear: male violence. Brooke talks with Deanna Zandt, co-creator of the Tumblr "When Women Refuse", about the potency of the hashtag to shed light on everyday misogyny.
Following last week’s massacre, residents of Isla Vista were confronted with misery of another kind: the constant presence of television news cameras, reporters, and broadcast vans in the midst of the grieving community. But in the aftermath of such tragedy, the media can play a crucial role in helping those affected make something meaningful out of their devastating loss. As Karen Duffin reported last fall, the template for that kind of PR savvy was established back in 1999, after the massacre at Columbine High School.
Amazon, the largest bookseller in the world, is locked in a struggle with Hachette, one of the biggest publishers. Amazon has prolonged shipping time, taken away the option to “pre-order” new releases, and eliminated the one-click option for purchasing Hachette books. And the feud has no end in sight. Bob talks to Brad Stone, author of The Everything Store: Jeff Bezos and the Age of Amazon, about what it all means.
Rich Peppiatt is a former tabloid reporter who resigned from the profession with a very public letter to his boss at the UK's Daily Star newspaper. He's since been a vocal critic of the British tabloid press, and has a new film called "One Rogue Reporter" that is part documentary, part satire, and part outrageous pranks against some of Britain's most notorious tabloid writers and editors. Bob speaks with Peppiatt about the film and how he turned tabloid journalists' own tricks against them.